Crafts CouncilDirectoryCheryl Tully CeramicsCeramicistMawdesley, EnglandCeramicsMixed mediaWebsiteE-mailInstagramAboutInfoSustainabilityI am an American artist living and working as a full time ceramicist in Lancashire with a gallery shop at Cedar Farm. I create highly bespoke tableware for one of the top Michelin chefs in the country. In this role I get a chance to experiment with multiple clay bodies, building techniques, and firings and it often informs and inspires my own work. Recently, I created hand coiled vessels for an interiors project and currently I'm making mixed media saggar fired sculptures and wall panels.Focus:Stoneware and Porcelain, functional and sculptureCommissions:Available for commissionsMost recently I’ve been using saggar firings to create one of a kind pieces. A saggar is a sacrificial vessel filled with combustibles to create a unique environment of minerals and gases being released in the firing and absorbed into the clay body itself. The most notable combustible is my use of food waste from the restaurant which creates the colours and patterns in this spontaneous firing. Experimentation and glaze testing is an integral part of my ceramic making process.AboutI am an American artist living and working as a full time ceramicist in Lancashire with a gallery shop at Cedar Farm. I create highly bespoke tableware for one of the top Michelin chefs in the country. In this role I get a chance to experiment with multiple clay bodies, building techniques, and firings and it often informs and inspires my own work. Recently, I created hand coiled vessels for an interiors project and currently I'm making mixed media saggar fired sculptures and wall panels.InfoFocus:Stoneware and Porcelain, functional and sculptureCommissions:Available for commissionsSustainabilityMost recently I’ve been using saggar firings to create one of a kind pieces. A saggar is a sacrificial vessel filled with combustibles to create a unique environment of minerals and gases being released in the firing and absorbed into the clay body itself. The most notable combustible is my use of food waste from the restaurant which creates the colours and patterns in this spontaneous firing. Experimentation and glaze testing is an integral part of my ceramic making process.WebsiteE-mailInstagramProjectArchitectural Ceramic Wall PanelProjectSide Table Ceramic Lamp BasesProjectThe Gallery at Green and Stone, LondonProjectKoto Living and Moor Hall Restaurant with Rooms, Lancashire