Crafts CouncilDirectoryHarriet Hellman Ceramics Ebb and FlowAboutA part of my practice is to take some of my work to the coast, using film to record my performative interactions with the unfired clay in the landscape.I physically layer the clay into a new narrative on the coastline, this offers a deliberate exchange, I return some days later to see if anything of the work has come back. Sometimes it has been transformed, ‘a gift from the sea’. I take this work back to the studio and fire it, completing this alchemical exchange.Harriet Hellman Ceramics London, EnglandEbb and Flow, Molly Hellmanlayered clays transformed by the tideEbb and Flow, Sylvain DeleauHolding my fired stoneware work that went out to sea and washed up back on the coast .I took this back to my studio to fire it .Ebb and Flow, Sylvian DeleuLayered stoneware clays transformed by the tideEbb and FlowAboutA part of my practice is to take some of my work to the coast, using film to record my performative interactions with the unfired clay in the landscape.I physically layer the clay into a new narrative on the coastline, this offers a deliberate exchange, I return some days later to see if anything of the work has come back. Sometimes it has been transformed, ‘a gift from the sea’. I take this work back to the studio and fire it, completing this alchemical exchange.Harriet Hellman Ceramics London, EnglandEbb and Flow, Molly Hellmanlayered clays transformed by the tideEbb and Flow, Sylvian DeleuLayered stoneware clays transformed by the tideEbb and Flow, Sylvain DeleauHolding my fired stoneware work that went out to sea and washed up back on the coast .I took this back to my studio to fire it .More from Harriet Hellman Ceramics ProjectPerspectives of Time ProjectPerspectives of Time IIProjectUncertain Rythm ProjectConnecting Deep Time ProjectConnecting Time ProjectTipping Point