Crafts CouncilDirectoryJahnavi InnissCraft Workshop: Sculpting HistoryAboutWith links to global trade, colonialism, ceremonies and rituals, clay is a powerful material with significant influence in shaping diasporic identities. I allowed participants to experiment with clay, whilst sculpting objects that re-frame our collective and personal histories and celebrating stories of empowerment.Jahnavi InnissLondon, EnglandCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome from workshop participantCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome from workshop participantCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome by workshop participantCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome from workshop participantCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome from workshop participantCraft Workshop: Sculpting HistoryAboutWith links to global trade, colonialism, ceremonies and rituals, clay is a powerful material with significant influence in shaping diasporic identities. I allowed participants to experiment with clay, whilst sculpting objects that re-frame our collective and personal histories and celebrating stories of empowerment.Jahnavi InnissLondon, EnglandCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome from workshop participantCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome from workshop participantCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome from workshop participantCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome from workshop participantCraft Workshop: Sculpting History, Jahnavi InnissFinal outcome by workshop participantMore from Jahnavi InnissProjectPengin Books: Emma Dabiri What White People Can Do Next: From Allyship to CoalitionProjectBlack British History,ProjectCraft Workshop: AppliquéProjectCraft Workshop: Textile PortraitureProjectCraft Workshop: Portable Histories