Crafts CouncilDirectoryMichèle OberdieckWatercolour SeriesAboutColour has always been a major source for me. I work quite a bit with watercolour paint as it has an immediacy which translates well with blown glass. There’s an infinite number of gradations and tones when looking at a water source or the sky, or the way colours bleed and fade when plant life starts to decay. The forms interact with colour by the way light reflects across the shape and illuminates it. Light with colour creates another dimension.Michèle OberdieckLondon, EnglandSage Maroon Bottle with Moss Green Graal Vessel, Sylvain Deleublown glassDelicate Pink Sepia Cloud, Sylvain Deleublown glassDelicate Pink Trio, Sylvain DeleuBlown glass vesselsSage Maroon Bottle and Sage Bottle, Sylvain Deleublown glass vesselPure Summer, Sylvain DeleuTrio of blown glass vesselsWatercolour SeriesAboutColour has always been a major source for me. I work quite a bit with watercolour paint as it has an immediacy which translates well with blown glass. There’s an infinite number of gradations and tones when looking at a water source or the sky, or the way colours bleed and fade when plant life starts to decay. The forms interact with colour by the way light reflects across the shape and illuminates it. Light with colour creates another dimension.Michèle OberdieckLondon, EnglandSage Maroon Bottle with Moss Green Graal Vessel, Sylvain Deleublown glassSage Maroon Bottle and Sage Bottle, Sylvain Deleublown glass vesselDelicate Pink Sepia Cloud, Sylvain Deleublown glassPure Summer, Sylvain DeleuTrio of blown glass vesselsDelicate Pink Trio, Sylvain DeleuBlown glass vesselsMore from Michèle OberdieckProjectFrom the Inside OutProjectSculptural formsProjectAir Apparent SeriesProject'Fantasy Plants' Solo Exhibition at Vessel Gallery2023 ProjectMorpheus seriesProjectFantasy Plant ProjectProjectOstfriesia SeriesProjectGraal SeriesProjectForest Umber Forms