Crafts CouncilDirectoryVictoria JardineStudio CeramicistDorset, EnglandCeramicsWebsiteE-mailInstagramTwitterFacebookAboutInfoMy work is hand-built, predominantly coiled and concerns itself with an exploration of the vessel form. A pot has a foot, belly, neck, shoulder and lip. These very ‘human’ references reveal an ancient relationship between mankind and vessel, a notion of ‘pot’, that vibrates through every culture from the moment we first learned to shape mud with our hands. I think of my pots as dancers. Each 'belly' is 'waisted' and each foot ‘on point’, allowing a moment of weightlessness. A frozen pirouette.Focus:The vessel formCommissions:Available for commissionsAboutMy work is hand-built, predominantly coiled and concerns itself with an exploration of the vessel form. A pot has a foot, belly, neck, shoulder and lip. These very ‘human’ references reveal an ancient relationship between mankind and vessel, a notion of ‘pot’, that vibrates through every culture from the moment we first learned to shape mud with our hands. I think of my pots as dancers. Each 'belly' is 'waisted' and each foot ‘on point’, allowing a moment of weightlessness. A frozen pirouette.InfoFocus:The vessel formCommissions:Available for commissionsWebsiteE-mailInstagramTwitterFacebookProjectWound SeriesProjectCorset PotsProjectHuge DishesProjectDisk Dishes