In her work, Anna Bera searches for a specific mode of existence of objects in space, a manner that is monumental and heavy, even ostentatious; where an object is something that appears suddenly and without justification, but its existence is indisputable. It exists as if it was unable to non-exist. It is only what it seems to be, though it could also be anything else. Bera plays with the form of a utility object. As a result of these considerations, she creates a collection of sculptures that may perform the functions of mirrors. The mirror pane glued outside causes the frame function to be degraded and the frame becomes useless. There is no reason why objects are what they are. Their existence may seem coincidental, but that does not make it less legitimate; and perhaps it is even more legitimate when there is nothing but existence in such an object.
Supported by Polish Cultural Institute London, the city of Kielce, Adam Mickiewicz Institute and Bieliny Community.