Crafts CouncilDirectoryAlison CookeTIN MINE CLAYAboutA project that used clay dug from two Penwith mines to make ceramics. The work took inspiration from Cornwall’s unique geology and tin mining heritage and coincided with the centennial of two events - the sinking of Victory shaft at Geevor Mine and the Levant mining disaster. A collaboration with Cornish artist Dominique Fuglistaller and archeologist Adam Sharpe. Exhibited at Geevor Mine Museum 2019.Alison CookeLondon, EnglandHeavy Lode, Alison Cooke200 x 40 x 20cm. Slabs of fired tin mine clays.Mine Memory, Alison CookeInternal mine maps. White clay from Rosevale Mine.TIN MINE CLAY, Alison CookeGeevor Mine set upMine Memory, Alison CookeInternal mine map. Clay from Rosevale Mine.Drill/Blast holes, Michael Harvey20 x 20 x 6cm approx per piece.TIN MINE CLAYAboutA project that used clay dug from two Penwith mines to make ceramics. The work took inspiration from Cornwall’s unique geology and tin mining heritage and coincided with the centennial of two events - the sinking of Victory shaft at Geevor Mine and the Levant mining disaster. A collaboration with Cornish artist Dominique Fuglistaller and archeologist Adam Sharpe. Exhibited at Geevor Mine Museum 2019.Alison CookeLondon, EnglandHeavy Lode, Alison Cooke200 x 40 x 20cm. Slabs of fired tin mine clays.Mine Memory, Alison CookeInternal mine map. Clay from Rosevale Mine.Mine Memory, Alison CookeInternal mine maps. White clay from Rosevale Mine.Drill/Blast holes, Michael Harvey20 x 20 x 6cm approx per piece.TIN MINE CLAY, Alison CookeGeevor Mine set upMore from Alison CookeProjectBridge Under Troubled WatersProjectPipeline