Crafts CouncilDirectoryGail Altschuler CeramicsCeramic ArtistLondon, EnglandCeramicsCraft educatorWebsiteE-mailInstagramTwitterFacebookAboutInfoNewsVideosSustainabilityBlurring the lines between art and craft, Gail uses porcelain as her canvas. Storytelling, unique plates for art installations, sculptural vessels that hold water. Sketchbook observations are drawn, etched, inlaid and painted, under transparent glaze. Themes include relationships, couples, siblings, artists. Colourful and irreverent with heart. Inspired by jazz music, improvisation and art history narratives, 'primitive and sophisticated all at once'. Altschuler’s work is relatable and quirky. Focus:narrative, satirical porcelain vessels and platesCV:Download documentStockists:Cambridge Contemporary Crafts GalleryTwenty Twenty GalleryLondon PottersEast Finchley OpenEditor of London Potters Newsletter02 March 2020I have been the editor of the London Potters newsletter since April 2017. London Potters a voluntary organisation for the exchange of ideas and experiences of all those involved with or interested in ceramics.Blog5 Nov 2020keep updated with my news and sign up to my mailing listPorcelain People Vessels Mishima TechniqueI share my kiln firings with the firing of my students' work.I recycle materials and keep an awareness of my energy footprint, eliminating unnecessary kiln firings and reducing energy consumption. Environmental awareness and sustainable production are important so I have a ‘closed loop’ approach to recycling and reusing materials from my ceramic production. Firing porcelain in my kiln uses a lot of energy, I’m always trying new ways to create vibrant colours at lower temperatures.AboutBlurring the lines between art and craft, Gail uses porcelain as her canvas. Storytelling, unique plates for art installations, sculptural vessels that hold water. Sketchbook observations are drawn, etched, inlaid and painted, under transparent glaze. Themes include relationships, couples, siblings, artists. Colourful and irreverent with heart. Inspired by jazz music, improvisation and art history narratives, 'primitive and sophisticated all at once'. Altschuler’s work is relatable and quirky. InfoFocus:narrative, satirical porcelain vessels and platesCV:Download documentStockists:Cambridge Contemporary Crafts GalleryTwenty Twenty GalleryLondon PottersEast Finchley OpenNewsEditor of London Potters Newsletter02 March 2020I have been the editor of the London Potters newsletter since April 2017. London Potters a voluntary organisation for the exchange of ideas and experiences of all those involved with or interested in ceramics.Blog5 Nov 2020keep updated with my news and sign up to my mailing listVideosPorcelain People Vessels Mishima TechniqueSustainabilityI share my kiln firings with the firing of my students' work.I recycle materials and keep an awareness of my energy footprint, eliminating unnecessary kiln firings and reducing energy consumption. Environmental awareness and sustainable production are important so I have a ‘closed loop’ approach to recycling and reusing materials from my ceramic production. Firing porcelain in my kiln uses a lot of energy, I’m always trying new ways to create vibrant colours at lower temperatures.WebsiteE-mailInstagramTwitterFacebookProjectNarrative Porcelain platesProjectPorcelain VesselsProjectSilk Screen Printed PorcelainProjectEarthstone VesselsProjectPorcelain People Vessels
Editor of London Potters Newsletter02 March 2020I have been the editor of the London Potters newsletter since April 2017. London Potters a voluntary organisation for the exchange of ideas and experiences of all those involved with or interested in ceramics.
Editor of London Potters Newsletter02 March 2020I have been the editor of the London Potters newsletter since April 2017. London Potters a voluntary organisation for the exchange of ideas and experiences of all those involved with or interested in ceramics.