Crafts CouncilDirectoryKate Holland BooksSouthern Harvest - Clare LeightonKate Holland BooksFrome, EnglandSouthern Harvest - Clare Leighton, Kate HollandDetail shot showing rust ground with black goatskin onlays and printed Mingeishi tissue inlays with manuscript scratches and splatters.Southern Harvest - Clare Leighton, Kate HollandBradel binding with black goatskin spine, boards covered in paper with rust effect and rollered black lino printing ink, insets of printed Mingeishi tissue with black ink scratched and splattered with pen and nib then laminated to Griffen Mill Early Wove cream paper, black goatskin onlays, title hand tooled with 23c red gold.Southern Harvest - Clare Leighton, Kate HollandEndpapers are printed Mingeishi tissue laminated to Griffen Mill Early Wove cream with pen and ink manuscript. Doublures are double printed black Murano paper. Hand sewn silk endbands. All edges black. The manuscript “No More My Lord” is the lyrics to a traditional African American spiritual sung in the fields. A CD in the accompanying binders’ notes is a recording of this song made by Alan Lomax at Parchman Penitentiary in 1948. The doublures depict the bare branches of the picked cotton but also reflect the whipping scars on the back of a slave.Southern Harvest - Clare LeightonKate Holland BooksFrome, EnglandSouthern Harvest - Clare Leighton, Kate HollandDetail shot showing rust ground with black goatskin onlays and printed Mingeishi tissue inlays with manuscript scratches and splatters.Southern Harvest - Clare Leighton, Kate HollandEndpapers are printed Mingeishi tissue laminated to Griffen Mill Early Wove cream with pen and ink manuscript. Doublures are double printed black Murano paper. Hand sewn silk endbands. All edges black. The manuscript “No More My Lord” is the lyrics to a traditional African American spiritual sung in the fields. A CD in the accompanying binders’ notes is a recording of this song made by Alan Lomax at Parchman Penitentiary in 1948. The doublures depict the bare branches of the picked cotton but also reflect the whipping scars on the back of a slave.Southern Harvest - Clare Leighton, Kate HollandBradel binding with black goatskin spine, boards covered in paper with rust effect and rollered black lino printing ink, insets of printed Mingeishi tissue with black ink scratched and splattered with pen and nib then laminated to Griffen Mill Early Wove cream paper, black goatskin onlays, title hand tooled with 23c red gold.More from Kate Holland BooksProjectDoors of Perception - Aldous HuxleyProjectWhere Land meets Sea: the Tide Line of Cape Cod - Clare LeightonProjectKelmscott Chaucer